{"id":35698,"date":"2022-07-07T11:23:16","date_gmt":"2022-07-07T03:23:16","guid":{"rendered":"https:\/\/swarma.org\/?p=35698"},"modified":"2022-07-07T11:23:16","modified_gmt":"2022-07-07T03:23:16","slug":"%e6%b7%b7%e6%b2%8c%e3%80%81%e7%a7%a9%e5%ba%8f%e3%80%81%e5%a4%8d%e6%9d%82%e6%80%a7%e4%b8%8e%e8%89%ba%e6%9c%af%ef%bc%9a%e6%88%91%e4%bb%ac%e4%bb%8e%e4%bd%95%e8%b0%88%e8%b5%b7-%e5%91%a8%e5%85%ad","status":"publish","type":"post","link":"https:\/\/swarma.org\/?p=35698","title":{"rendered":"\u6df7\u6c8c\u3001\u79e9\u5e8f\u3001\u590d\u6742\u6027\u4e0e\u827a\u672f\uff1a\u6211\u4eec\u4ece\u4f55\u8c08\u8d77 | \u5468\u516d\u76f4\u64ad"},"content":{"rendered":"
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M. C. Escher, Reptiles, 1943, Lithograph. <\/em><\/span><\/p>\n

\u00a9 Rosenwald Collection<\/em><\/span><\/p>\n<\/section>\n


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20\u4e16\u7eaa\u4e0b\u534a\u53f6\u89c1\u8bc1\u4e86\u5bf9\u6df7\u6c8c\u73b0\u8c61\u548c\u590d\u6742\u7cfb\u7edf\u4e4b\u7814\u7a76\u7684\u5168\u9762\u5c55\u5f00\u2014\u2014\u5c3d\u7ba1\u4e0d\u8bba\u662f\u201c\u6df7\u6c8c\u201d\uff08\u975e\u7ebf\u6027\u52a8\u529b\u5b66\uff09\u8fd8\u662f\u201c\u590d\u6742\u79d1\u5b66\u201d\uff0c\u90fd\u5c1a\u672a\u88ab\u4ee5\u8fb9\u754c\u6e05\u6670\u7684\u65b9\u5f0f\u88ab\u5b9a\u4e49\u3002\u4e0d\u8bba\u662f\u6d1b\u4f26\u5179\uff08Edward Lorenz\uff09\u5173\u4e8e\u300a\u51b3\u5b9a\u6027\u7684\u975e\u5468\u671f\u6d41\u300b\uff08\u6df7\u6c8c\u7406\u8bba\u7684\u6807\u5fd7\u6027\u8bba\u6587\uff09\u7684\u7814\u7a76\uff0c\u8fd8\u662f\u67ef\u5c14\u83ab\u54e5\u6d1b\u592b\uff08Andrey Kolmogorov\uff09\u5728\u5e9e\u52a0\u83b1\u5de5\u4f5c\u57fa\u7840\u4e0a\u5bf9\u6df7\u6c8c\u7406\u8bba\u7684\u53d1\u5c55\uff0c\u6291\u6216\u66fc\u5fb7\u535a\u5bf9\u5206\u5f62\u51e0\u4f55\u548c\u5438\u5f15\u5b50\u7ef4\u5ea6\u7684\u89e3\u91ca\uff0c\u6df7\u6c8c\u7406\u8bba\u548c\u590d\u6742\u79d1\u5b66\u7814\u7a76\u56e0\u5176\u5929\u7136\u7684\u8de8\u5b66\u79d1\/\u975e\u5b66\u79d1\u5c5e\u6027\uff0c\u4e0d\u4ec5\u8fdb\u5165\u4e86\u51e0\u4f55\u5b66\u3001\u7269\u7406\u5b66\u3001\u751f\u7269\u5b66\u4e43\u81f3\u793e\u4f1a\u79d1\u5b66\u7814\u7a76\u8005\u7684\u89c6\u91ce\uff0c\u4e5f\u8fdb\u5165\u4e86\u6d41\u884c\u6587\u5316\u2014\u2014\u8774\u8776\u6548\u5e94\u3001\u5947\u5f02\u5438\u5f15\u5b50\u3001\u5206\u5f62\u56fe\u6848\u3001\u81ea\u7ec4\u7ec7\u3001<\/span>\u6d8c\u73b0\u3001\u56fe\u7075\u6591\u56fe\u2026\u2026\u90fd\u5728\u5e7f\u4e49\u7684\u6587\u5316\u8bed\u5883\u4e2d\uff0c\u6709\u4e86\u4e00\u5e2d\u4e4b\u5730\u3002<\/span><\/p>\n


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\u7c7b\u4f3c\u5730\uff0c\u79d1\u6280\u4e0e\u827a\u672f\u7684\u4ea4\u53c9\u9886\u57df\u4e5f\u4ece\u590d\u6742\u79d1\u5b66\u4e2d\u83b7\u5f97\u4e86\u65b0\u7684\u7075\u611f\u3002\u51af\u00b7\u8bfa\u4f9d\u66fc\u7684\u5143\u80de\u81ea\u52a8\u673a\u548c\u540e\u6765\u5eb7\u5a01\u7684\u201c\u751f\u547d\u6e38\u620f\u201d\u8ba9\u5f53\u65f6\u7684\u8bb8\u591a\u201c\u8ba1\u7b97\u673a\u827a\u672f\u201d\u5b9e\u8df5\u8005\u7aa5\u63a2\u5230\u4e86\u7b80\u5355\u89c4\u5219\u5982\u4f55\u80fd\u8bde\u751f\u7684\u6781\u590d\u6742\u4e16\u754c\u3002\u6b63\u5982\u8a79\u59c6\u65af\u00b7\u683c\u96f7\u79d1\uff08James Gleick\uff09\u5728\u300a\u6df7\u6c8c\uff1a\u4e0d\u6d4b\u98ce\u4e91\u7684\u80cc\u540e\u300b\uff08Chaos: Making a New Science\uff09\u4e2d\u6240\u8a00[1]\uff0c\u6df7\u6c8c\u7406\u8bba\u53ef\u4ee5\u88ab\u5e94\u7528\u5230\u201c\u6211\u4eec\u6240\u89c1\u3001\u6240\u611f\u7684\u4e16\u754c\u201d\uff0c\u56e0\u5176\u63d0\u4f9b\u4e86\u4e00\u79cd\u9ad8\u5ea6\u76f4\u89c9\u5f0f\u7684\u63cf\u8ff0\u65b9\u6cd5\uff0c\u540c\u65f6\u548c\u6211\u4eec\u672c\u80fd\u8ba4\u77e5\u7684\u81ea\u7136\u4e16\u754c\u80fd\u4ea7\u751f\u5343\u4e1d\u4e07\u7f15\u7684\u5173\u8054\u3002<\/span><\/p>\n


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James Gleick\uff0cChaos: Making a New Science<\/span><\/p>\n


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\u5eb7\u5a01\u7684\u201c\u751f\u547d\u6e38\u620f\u201d\uff08Game of Life\uff09<\/span><\/p>\n


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\u5723\u5854\u83f2\u7814\u7a76\u6240\u5b98\u7f51\uff0chttps:\/\/www.santafe.edu\/<\/span><\/p>\n


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[1]Gleick, James. Chaos: Making of a New Science. London: Cardinal, 1987. Glueck, Grace. Video Comes into Its Own at the Whitney Biennial. New York Times, April 23, 1983.<\/span><\/p>\n

[2]N. Katherine Hayles.1990. Chaos Bound: Orderly Disorder in Contemporary Literature and Science.Cornell University Press<\/span><\/p>\n

[3]Jean-Fran\u00e7ois Lyotard, The Postmodern Condition: A Report on Knowledge (Minneapolis: University of Minnesota Press, 1984), 60.<\/span><\/p>\n


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\u90b1\u5fd7\u6770\uff0c\u201c\u6280\u672f\u53f2\u5730\u56fe\u201d\u5c40\u90e8\uff0c2020<\/span><\/section>\n
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\u7b80\u4ecb\uff1a<\/span><\/strong>\u5bf9\u590d\u6742\u6027\u7684\u7814\u7a76\u66fe\u98a0\u8986\u4e86\u79d1\u5b66\u539f\u6709\u7684\u8fd8\u539f\u8bba\u8303\u5f0f\uff0c\u90a3\u4e48\u5f53\u590d\u6742\u79d1\u5b66\u9047\u5230\u827a\u672f\u65f6\u4f1a\u600e\u6837\uff1f\u793e\u4f1a\u751f\u7269\u5b66\u5bb6\u7231\u5fb7\u534e\u00b7\u5a01\u5c14\u900a\uff08E.O. Wilson\uff09\u66fe\u8bf4\uff1a\u201c<\/span>\u5bf9\u590d\u6742\u6027\u7684\u70ed\u7231\uff0c\u65e0\u8fd8\u539f\u8bba\uff0c\u6210\u5c31\u4e86\u827a\u672f\uff1b<\/span>\u548c\u8fd8\u539f\u8bba\u4e00\u8d77\uff0c\u5219\u6210\u5c31\u4e86\u79d1\u5b66\u3002<\/span>\u201d<\/span>\u79d1\u5b66\u548c\u827a\u672f\uff0c\u4f5c\u4e3a\u4e24\u79cd\u4eba\u7c7b\u6700\u5177\u521b\u9020\u6027\u6587\u5316\uff0c\u867d\u7136\u66fe\u88ab\u7f8e\u56fd\u5b66\u8005\u65af\u8bfa\uff08C.P. Snow\uff09\u671f\u5f85\u6d88\u9664\u5f7c\u6b64\u8bef\u89e3\u548c\u89e3\u91ca\u9738\u6743\u878d\u5408\u6210\u4e3a\u201c\u7b2c\u4e09\u79cd\u6587\u5316\u201d\uff0c\u4f46\u76f4\u5230\u5982\u4eca\u867d\u7136\u5e38\u5e38\u5bf9\u8bdd\u5374\u4f9d\u7136\u6cfe\u6e2d\u5206\u660e\u3001\u5404\u81ea\u884c\u7d20\u3002<\/span>\u56e0\u6b64\uff0c\u4e5f\u8bb8\u590d\u6742\u79d1\u5b66\u7684\u8bde\u751f\u80fd\u6210\u4e3a\u4e8c\u8005\u4e00\u5ea7\u66f4\u597d\u7684\u6865\u6881\u3002<\/span><\/p>\n


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\u672c\u6b21\u5206\u4eab\u5c06\u5148\u4ecb\u7ecd\u5bf9\u79f0\u6027\u7834\u7f3a\u3001\u81ea\u7ec4\u7ec7\u3001\u5206\u5f62\u3001\u6df7\u6c8c\u3001\u6d8c\u73b0\u7b49\u590d\u6742\u79d1\u5b66\u7684\u57fa\u672c\u6982\u5ff5\uff0c\u7136\u540e\u5728\u5398\u6e05\u590d\u6742\u6027\u6982\u5ff5\u548c\u601d\u60f3\u8109\u7edc\u57fa\u7840\u4e0a\uff0c\u56de\u987e\u79d1\u5b66\u548c\u827a\u672f\u53d1\u5c55\u53f2\uff0c\u5bf9\u590d\u6742\u6027\u4e0e\u827a\u672f\u4e4b\u95f4\u76f8\u4e92\u5f71\u54cd\u5173\u7cfb\u3001\u79d1\u5b66\u5b9e\u8df5\u4e0e\u827a\u672f\u521b\u4f5c\u4e92\u52a8\u4f5c\u8fdb\u4e00\u6b65\u68b3\u7406\u603b\u7ed3\u3002\u6700\u540e\u4f1a\u4ecb\u7ecd\u8fd1\u4e9b\u5e74\u6765\u5bf9\u590d\u6742\u6027\u548c\u827a\u672f\u7814\u7a76\u548c\u5b9e\u8df5\u7684\u4e00\u4e9b\u65b0\u6210\u679c\uff0c\u5e76\u5bf9\u57fa\u4e8e\u590d\u6742\u4e3b\u4e49\uff08Complexism\uff09\u7684\u590d\u6742\u827a\u672f\u672a\u6765\u4f5c\u8fdb\u4e00\u6b65\u5c55\u671b\u3002<\/span><\/p>\n


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\u9f99\u661f\u5982 (Iris Long)<\/span><\/strong>\uff0c\u7b56\u5c55\u4eba\uff0c\u5199\u4f5c\u8005\uff0c\u7814\u7a76\u65b9\u5411\u4e3a\u827a\u672f\u521b\u4f5c\u4e0e\u6570\u636e\u3001\u73af\u5883\u53ca\u6280\u672f\u7684\u5173\u7cfb\uff0c\u4ee5\u53ca\u79d1\u6280\u7684\u5fc3\u7406\u5730\u7406\u548c\u57fa\u7840\u8bbe\u65bd\u5efa\u8bbe\uff0c\u76ee\u524d\u535a\u58eb\u5c31\u8bfb\u4e8e\u4f26\u6566\u5927\u5b66\u91d1\u5320\u5b66\u9662\u524d\u6cbf\u5b9e\u8df5\u65b9\u5411\u3002\u7b56\u5212\u5c55\u89c8\u5305\u62ec\u300a\u6492\u8c0e\u7684\u7d22\u83f2\u4e9a\u548c\u5632\u8bbd\u7684\u827e\u8389\u514b\u838e\u300b\uff08Hyundai Blue Prize\u7b56\u5c55\u4eba\u5956, sophialexa.com\uff09\uff0c\u300a\u4ed6\u5c71\u4e4b\u77f3\uff0c\u65b0\u4ee3\u7406\u4eba\u300b\uff08PSA\u9752\u7b56\u8ba1\u5212\u5927\u5956\uff09\uff0c\u7b2c\u4e09\u5c4a\u4eca\u65e5\u672a\u6765\u9986\u300a\u673a\u5668\u4eba\u95f4\u300b\u7b49\uff0c\u5979\u4e5f\u4e3a\u827a\u672f\u5bb6\u5218\u6615\u3001Lauren Lee McCarthy\u7b49\u7b56\u5212\u56fd\u5185\u9996\u4e2a\u4e2a\u5c55\u3002<\/span><\/p>\n

2019\u5e74\u62c5\u4efbISEA\u7535\u5b50\u827a\u672f\u7814\u8ba8\u4f1a\u56fd\u9645\u8bc4\u59d4\u3002<\/span><\/p>\n

2020\u5e74\u62c5\u4efb\u8ba1\u7b97\u673a\u56fe\u5f62\u5b66\u4f1a\u8baeSIGGRAPH ASIA\u827a\u672f\u677f\u5757\u56fd\u9645\u8bc4\u59d4\u3002<\/span><\/p>\n

2021\u5e74\uff0c\u5979\u53d1\u8d77\u4e86\u201c\u7aef\u53e3\uff1a\u4e91\u4e0b\u8d35\u5dde\u201d\u9879\u76ee\uff0c\u8fd9\u662f\u4e00\u4e2a\u5173\u4e8e\u4e2d\u56fd\u79d1\u6280\u57fa\u7840\u8bbe\u65bd\u7684\u957f\u671f\u8c03\u7814\u548c\u7b56\u5c55\u9879\u76ee\u3002<\/span><\/p>\n

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\u5f20\u6c5f<\/span><\/strong>\uff0c\u5317\u4eac\u5e08\u8303\u5927\u5b66\u7cfb\u7edf\u79d1\u5b66\u5b66\u9662\u6559\u6388\u3001\u96c6\u667a\u4ff1\u4e50\u90e8\u521b\u59cb\u4eba\u3001\u96c6\u667a\u5b66\u56ed\u521b\u59cb\u4eba\uff0c\u66fe\u4efb\u817e\u8baf\u7814\u7a76\u9662\u7279\u8058\u987e\u95ee\u3002\u4e3b\u8981\u7814\u7a76\u9886\u57df\u5305\u62ec\u590d\u6742\u7f51\u7edc\u4e0e\u673a\u5668\u5b66\u4e60\u3001\u590d\u6742\u7cfb\u7edf\u5206\u6790\u4e0e\u5efa\u6a21\u3001\u8ba1\u7b97\u793e\u4f1a\u79d1\u5b66\u7b49\u3002\u5176\u5f00\u521b\u7684\u96c6\u667a\u4ff1\u4e50\u90e8\u662f\u56fd\u5185\u5916\u77e5\u540d\u7684\u5b66\u672f\u793e\u533a\uff0c\u81f4\u529b\u4e8e\u590d\u6742\u7cfb\u7edf\u3001\u4eba\u5de5\u667a\u80fd\u7b49\u591a\u9886\u57df\u7684\u8de8\u5b66\u79d1\u4ea4\u6d41\u4e0e\u5408\u4f5c\u3002<\/span><\/p>\n


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\u6c6a\u5ae3\u7136<\/span><\/strong>\uff0c\u8de8\u5b66\u79d1\u7814\u7a76\u8005\u3001\u827a\u672f\u8bc4\u8bba\u4eba\u3001\u8bd7\u4eba\uff0c\u73b0\u5c45\u4e0a\u6d77\u3002\u5728\u827a\u672f\u3001\u54f2\u5b66\u548c\u79d1\u6280\u7684\u4ea4\u53c9\u9886\u57df\u8fdb\u884c\u5de5\u4f5c\uff0c\u7814\u7a76\u5174\u8da3\u5305\u62ec\u6280\u672f\u73b0\u8c61\u5b66\u3001\u65b0\u7269\u8d28\u4e3b\u4e49\u548c\u5973\u6027\u4e3b\u4e49\u7406\u8bba\u3002\u66fe\u5c31\u8bfb\u4e8e\u540c\u6d4e\u5927\u5b66\u54f2\u5b66\u7cfb\u3001\u5df4\u9ece\u9ad8\u7b49\u827a\u672f\u7814\u7a76\u9662\uff0c\u73b0\u4e3a\u590d\u65e6\u5927\u5b66\u827a\u672f\u54f2\u5b66\u7cfb\u535a\u58eb\u5019\u9009\u4eba\u3002\u5176\u827a\u672f\u8bc4\u8bba\u89c1\u4e8e\u300aLeap\u827a\u672f\u754c\u300b\u3001\u300a\u753b\u520a\u300b\u3001Art-Ba-Ba\u7b49\u5a92\u4f53\u3002\u540c\u65f6\u4e5f\u662f\u6cd5\u4e2d\u827a\u672f\u4fc3\u8fdb\u4f1a\uff08APECA France-Chine\uff09\u7684\u827a\u672f\u987e\u95ee\u3002<\/span><\/p>\n


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\u53f6\u6893\u6d9b Zitao YE<\/span><\/strong>\uff0c\u6e38\u620f\u8bbe\u8ba1\u5e08\uff0c\u5199\u4f5c\u8005\uff0c\u7ffb\u8bd1\u8005\uff0c\u5c31\u804c\u4e8e\u817e\u8bafNExT Studios\u8fdb\u884c\u521b\u610f\u6e38\u620f\u5b75\u5316\u5de5\u4f5c\uff0c\u300cGameplus\u6e38\u620f+\u300d\u7814\u7a76\u521b\u4f5c\u8ba1\u5212\u5236\u4f5c\u4eba\uff0c\u72ec\u7acb\u5a92\u4f53\u5b9e\u9a8c\u5ba4\u300c\u843d\u65e5\u95f4\u300d\u4e3b\u7406\u4eba\uff0c\u64ad\u5ba2\u300a\u843d\u65e5\u95f4\u300b\u4e3b\u64ad\uff0c\u77e5\u4e4e\u6e38\u620f\/\u6e38\u620f\u8bbe\u8ba1\/\u5355\u673a\u6e38\u620f\u8bdd\u9898\u4f18\u79c0\u56de\u7b54\u8005\uff0c\u6709\u72ec\u7acb\u4f5c\u54c1\u300a\u5251\u5165\u7985\u5883 Sword Zen\u300b\u300a\u65f6\u95f4\u7684\u5f62\u72b6 The Shape of Time\u300b\uff08IGF 2022 Nuovo Award Honorable Mentions\uff09\u7b49\u3002\u4e2a\u4eba\u7f51\u7ad9\uff1ahttps:\/\/xpaidia.com<\/span><\/p>\n


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1. \u96c6\u667a\u4ff1\u4e50\u90e8B\u7ad9\u76f4\u64ad<\/span><\/p>\n

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\u626b\u7801\u8fdb\u5165\u76f4\u64ad\u95f4<\/span><\/p>\n


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2. \u89c6\u9891\u53f7\u9884\u7ea6\uff1a<\/span>
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3. \u4ed8\u8d39\u62a5\u540d<\/span>\u590d\u6742\u79d1\u5b66\u00d7\u827a\u672f\u7814\u8ba8\u4f1a<\/span><\/a>\uff0c\u53ef\u52a0\u5165\u793e\u7fa4\uff0c\u83b7\u53d6\u817e\u8baf\u4f1a\u8bae\u3001\u56de\u653e\u7b49\u6743\u9650\u3002\u4e0e\u793e\u7fa4\u6210\u5458\u5171\u540c\u4ea4\u6d41\uff0c\u63a8\u52a8\u793e\u533a\u53d1\u5c55\u3002\u62a5\u540d\u6536\u5165\u5c06\u7528\u4e8e\u9879\u76ee\u62a5\u544a\u3001\u5185\u5bb9\u6210\u4ea7\u53ca\u793e\u7fa4\u8fd0\u8425\u3002<\/span>\u96c6\u667a\u5b66\u56edVIP<\/span><\/a>\u53ef\u514d\u8d39\u53c2\u4e0e\u672c\u7cfb\u5217\u63a2\u8ba8\u4f1a\u3002<\/span>
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\u53c2\u8003\u9605\u8bfb<\/strong><\/p>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n<\/section>\n

\u91cd\u70b9\u4e66\u7c4d<\/span><\/strong><\/p>\n

1. Klaus Mainzer. June 2005. Symmetry and Complexity: The Spirit and Beauty of Nonlinear Science (World Scientific Nonlinear Science Series A: Volume 51)<\/span><\/p>\n

\u5b87\u5b99\u6f14\u5316\u901a\u8fc7\u5bf9\u79f0\u6027\u7834\u7f3a\u548c\u76f8\u53d8\uff0c\u4e00\u6b65\u6b65\u8d70\u5411\u590d\u6742\u6027\u3002\u672c\u4e66\u4ece\u975e\u7ebf\u6027\u52a8\u529b\u5b66\u7684\u89c6\u89d2\u8ba8\u8bba\u81ea\u7136\u3001\u793e\u4f1a\u3001\u8ba1\u7b97\u673a\u3001\u54f2\u5b66\u548c\u827a\u672f\u4e2d\u7684\u5bf9\u79f0\u6027\u4e0e\u590d\u6742\u6027\u3002<\/span><\/p>\n

2.J. Casti, A. Karlqvist. February 2003. Art and Complexity. Elsevier.<\/span><\/p>\n

\u5723\u5854\u83f2\u5b66\u8005\u7ec4\u7ec7\u7684\u827a\u672f\u4e0e\u590d\u6742\u6027\u8bba\u575b\u6587\u96c6\uff0c\u63a2\u8ba8\u201c\u597d\u7684\u201d\u827a\u672f\u662f\u5426\u662f\u201c\u590d\u6742\u7684\u201d\u827a\u672f\u3001\u827a\u672f\u5bb6\u5982\u4f55\u770b\u5f85\u201c\u590d\u6742\u6027\u201d\u4e00\u8bcd\u3001\u8bd7\u4eba\u7528\u6587\u5b57\u63cf\u8ff0\u81ea\u7136\u754c\u7684\u590d\u6742\u884c\u4e3a\u7b49\u95ee\u9898\u3002<\/span><\/p>\n

3. Juan Romero, Penousal Machado(Eds.). 2008. The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music. Springer.<\/span><\/p>\n

\u8ba8\u8bba\u4eba\u5de5\u8fdb\u5316\u7684\u827a\u672f\uff0c\u7efc\u8ff0\u4e86\u8fdb\u5316\u8ba1\u7b97\u3001\u4eba\u5de5\u751f\u547d\u3001\u7fa4\u4f53\u667a\u80fd\u3001\u8681\u7fa4\u7b97\u6cd5\u7684\u76f8\u5173\u7814\u7a76\u53ca\u5176\u5728\u827a\u672f\u3001\u97f3\u4e50\u548c\u8bbe\u8ba1\u4e2d\u7684\u5e94\u7528\u3002<\/span><\/p>\n


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\u53c2\u8003\u6587\u732e<\/span><\/strong><\/p>\n

1. Soler-Adillon, Joan. Emergence as self-organization and as generation of novelty: a framework for understanding emergence in the context of interactive art. Diss. Universitat Pompeu Fabra, 2015.<\/span><\/p>\n

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2. Boon, Jean Pierre, John Casti, and Richard P. Taylor. “Artistic forms and complexity.” Nonlinear Dynamics-Psychology and Life Sciences 15.2 (2011): 265.<\/span><\/p>\n

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3. Van Geert, Eline, and Johan Wagemans. “Order, complexity, and aesthetic appreciation.” Psychology of aesthetics, creativity, and the arts 14.2 (2020): 135.<\/span><\/p>\n

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4. Milovanovi\u0107, Milo\u0161, and Gordana Medi\u0107-Simi\u0107. “Aesthetical criterion in art and science.” Neural Computing and Applications 33.6 (2021): 2137-2156.<\/span><\/p>\n

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5. Bullot, Nicolas J., William P. Seeley, and Stephen Davies. “Art and science: a philosophical sketch of their historical complexity and codependence.” The Journal of Aesthetics and Art Criticism 75.4 (2017): 453-463.<\/span><\/p>\n

\u827a\u672f\u4e0e\u79d1\u5b66\uff1a\u5386\u53f2\u590d\u6742\u6027\u548c\u76f8\u4e92\u4f9d\u5b58\u7684\u54f2\u5b66\u6982\u8bba<\/span><\/p>\n

6. Rosser Jr, J. Barkley. “Complexity and aesthetics: How arts, sciences, and economics coevolve.” Chaos, Solitons & Fractals 157 (2022): 111905.<\/span><\/p>\n

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7. Foster, John. “Energy, aesthetics and knowledge in complex economic systems.” Journal of Economic Behavior & Organization 80.1 (2011): 88-100.<\/span><\/p>\n

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8. McKenzie, Carole, and Kim James. “Aesthetics as an aid to understanding complex systems and decision judgement in operating complex systems.” Emergence-Mahwah-Lawrence Erlbaum- 6.1\/2 (2004): 32.<\/span><\/p>\n

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9. Andrews, David J. “Art and science in the design of physically large and complex systems.” Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences 468.2139 (2012): 891-912.<\/span><\/p>\n

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10. Mannone, Maria. “cARTegory theory: framing aesthetics of mathematics.” Journal of Humanistic Mathematics 9.1 (2019): 277-294.<\/span><\/p>\n

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11. Mannone, Maria, et al. “Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization.” Journal of Mathematics and Music 15.1 (2021): 62-94.<\/span><\/p>\n

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12. Kubota, Akihiro, et al. “A new kind of aesthetics\u2014the mathematical structure of the aesthetic.” Philosophies 2.3 (2017): 14.<\/span><\/p>\n

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\u8054\u5408\u7b56\u5212\uff1aConversazione<\/span><\/p>\n

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20\u4e16\u7eaa\u4e0b\u534a\u53f6\u4ee5\u6765\uff0c\u53d7\u5230\u590d\u6742\u6027\u7814\u7a76\u542f\u53d1\u7684\u201c\u601d\u7ef4\u65b9\u5f0f\u201d\u5df2\u8fc5\u901f\u4f20\u64ad\u5230\u8ba4\u77e5\u6d3b\u52a8\u7684\u591a\u4e2a\u9886\u57df\u3002\u6df7\u6c8c\u3001\u81ea\u7ec4\u7ec7\u3001\u4e34\u754c\u3001\u81ea\u521b\u751f\u3001\u6d8c\u73b0 \u2026\u2026\u5176\u6982\u5ff5\u5c42\u6b21\u7684\u4e30\u5bcc\u6027\u4e3a\u6211\u4eec\u63d0\u4f9b\u4e86\u7814\u7a76\u4e16\u754c\u7684\u7075\u6d3b\u5de5\u5177\u3002\u4ece\u8fd9\u4e2a\u610f\u4e49\u4e0a\u8bf4\uff0c\u6211\u4eec\u6709\u7406\u7531\u5c06\u590d\u6742\u6027\u7406\u8bba\u89c6\u4e3a\u4e00\u4e2a\u6269\u5145\u827a\u672f\u4e0e\u79d1\u5b66\u4e4b\u95f4\u4ea4\u53c9\u9886\u57df\u7684\u91cd\u8981\u8bfe\u9898\u3002\u827a\u672f\u5bf9\u590d\u6742\u6027\u505a\u51fa\u53cd\u5e94\u7684\u4e00\u79cd\u57fa\u672c\u65b9\u5f0f\u662f\u521b\u9020\u51fa\u663e\u793a\u201c\u6d8c\u73b0\u884c\u4e3a\u201d\u7684\u7cfb\u7edf\u3002\u5c31\u672c\u4f53\u8bba\u800c\u8a00\uff0c\u6211\u4eec\u4e0d\u518d\u5c06\u827a\u672f\u54c1\u89c6\u4e3a\u9759\u6001\u4e4b\u7269\uff0c\u800c\u662f\u5c06\u5176\u770b\u4f5c\u4e0d\u65ad\u53d1\u5c55\u7684\u521b\u9020\u6027\u8fc7\u7a0b\u7684\u4e00\u4e2a\u5b9e\u4f8b\u3002\u540c\u65f6\uff0c\u65b0\u5174\u7684\u590d\u6742\u79d1\u5b66\uff08Complexity Science\uff09\u4e5f\u5411\u5f53\u4ee3\u827a\u672f\u5b9e\u8df5\u8005\u63d0\u4f9b\u4e86\u4e00\u4e2a\u655e\u5f00\u7684\u5de5\u5177\u7bb1\uff0c\u8fd9\u4e9b\u5de5\u5177\u5305\u62ec\u6df7\u6c8c\u3001\u5206\u5f62\u3001\u5143\u80de\u81ea\u52a8\u673a\u3001\u9057\u4f20\u7b97\u6cd5\u3001\u8681\u7fa4\u7b97\u6cd5\u3001\u4eba\u5de5\u795e\u7ecf\u7f51\u7edc\u3001L-System\u3001\u4eba\u5de5\u751f\u547d\u7b49\uff0c\u5b83\u4eec\u8fdb\u4e00\u6b65\u63a8\u52a8\u4e86\u6570\u5b57\u7f8e\u5b66\u3001\u751f\u7269\u827a\u672f\u4e0e\u4eba\u5de5\u667a\u80fd\u827a\u672f\u7b49\u9886\u57df\u7684\u53d1\u5c55\u3002\u590d\u6742\u79d1\u5b66\u4e0d\u4ec5\u5e2e\u52a9\u6211\u4eec\u6df1\u5165\u4e86\u89e3\u610f\u8bc6\u548c\u751f\u547d\u7cfb\u7edf\u7684\u751f\u6210\u673a\u5236\uff0c\u800c\u4e14\u6709\u5229\u4e8e\u6fc0\u53d1\u5404\u5b66\u79d1\u7684\u7814\u7a76\u8005\u548c\u5b9e\u8df5\u8005\u534f\u540c\u53d1\u6398\u540e\u4eba\u7c7b\u521b\u9020\u529b\u548c\u65b0\u7f8e\u5b66\u7684\u6f5c\u529b\uff0c\u4ee5\u671f\u6253\u5f00\u66f4\u8d8b\u5411\u4e8e\u7efc\u5408\u6027\u7684\u521b\u610f\u7a7a\u95f4\u3002<\/span><\/section>\n
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